If you're tired of the same old folk mumbo-jumbo that's been peppered with wishy-washy messages, you need to listen to 'Witness' by Show of Hands. This album shook the folk scene when it was unveiled in 2006, bursting the seams of conventional narratives. Show of Hands, the dynamic duo of Phil Beer and Steve Knightley from Devon, not only challenged the lyrical status quo but did so with an engaging harmony that refused to toe the liberal line.
Show of Hands is a standout group in the UK folk scene, whose roots trace back to the late '80s. Their unique style married traditional folk with contemporary grit, a blend that set stages ablaze and sent waves rippling through the music community. 'Witness' was released on November 7, 2006. The album steered clear of pandering to fleeting trends and spoon-fed current events. Instead, it delved into timeless themes which resonated just as deeply then as they do now.
Why talk about it now? 'Witness' is more relevant than ever. When modern music often feels like it’s stuck on repeat, Show of Hands’ eighth studio album offers a refreshing escape. Its focus on storytelling with substance stands out. Tracks like 'Roots' urge listeners to reconnect with their heritage - something that's become practically taboo in a world obsessed with globalism.
The song’s lyrics are a bold reminder of homegrown values, provoking a necessary introspection that's often missing in music. In a society that’s increasingly disconnected from its history, 'Witness' takes a stand that zigs where the rest of the world zags.
Let's break down some of the album’s top tracks that make it a must-listen:
'Roots': Straight off the bat, 'Roots' takes a strong stance on cultural authenticity, shaking up the music scene. It's got an unmistakable defiance that stares defiantly into the face of modern dilution of heritage and urges folks to remember where they come from.
'Crooked Man': This track is an ode to the little guy, calling out big government and systemic injustices with a precision that points the finger directly at those who have the nerve to pull the wool over our eyes. It's about accountability—a concept that’s been almost erased in today's political game.
'Witness': The title track itself acts like a courtroom, where the duo stands for truth and integrity, proving that witnesses can do more than just stand by; they can shake the foundations of so-called truths.
'Be Lucky': With a quirky optimism, this song's about making your own luck rather than relying on a government handout. Quite a refreshing take in the age of entitlement.
'Gaffer’s Dream': Tackling the work-life balance debate, Show of Hands paints a vivid picture of hard work leading to dreams—a narrative that, sadly, might seem almost radical today.
'Drummer's Like Me': Here we see a slice-of-life with universal appeal. It delves into the life of the common man and does so with touching accuracy.
'Union Miners': Reminiscent of the historical struggles working-class folks have faced, this track is a tribute to those who fought against oppressive structures. More relevant than ever in an era where blue-collar workers are often overlooked.
The simplicity of the arrangements in 'Witness' betray an intricate complexity—like watercolors painting a masterpiece. Such music isn’t just heard; it’s experienced. It's a rare album that refuses to stay within the confines of what’s trendy, instead blazing its trail like a well-worn path through a dense forest.
Whether or not you agree with the political undertones or the no-nonsense approach to storytelling, 'Witness' asks questions that need to be addressed today. When art can inspire thought, and potentially action, that's when it truly possesses power. By revisiting 'Witness', we remind ourselves of the importance of holding fast to our roots while looking towards the future.
So, if you truly wish to break free from societal conditioning and hear something with substance for a change, give 'Witness' a listen. It doesn’t just stand as a testament to traditional folk—it’s a clarion call for those ready to blaze their own trail rather than following the herd off a cliff.