The Left's Latest Obsession: Maarrich and the Art of Missing the Point

In the world of cinema, where creativity should reign supreme, the latest buzz is all about "Maarrich," a film that has managed to stir up quite the storm. Directed by Dhruv Lather and starring Tusshar Kapoor, this movie hit the screens in December 2022, and it's set in the bustling city of Mumbai. The plot revolves around a cop trying to solve a double murder case, but the real mystery here is why the left is so obsessed with it. The answer is simple: they love to miss the point and turn everything into a political circus.

First off, let's talk about the film's setting. Mumbai, a city known for its vibrant culture and diversity, is the perfect backdrop for a crime thriller. But instead of appreciating the film's attempt to showcase the city's complexities, the left is busy nitpicking every little detail. They claim the film perpetuates stereotypes and fails to address social issues. Newsflash: it's a crime thriller, not a documentary on social justice. The left's inability to separate fiction from reality is truly astounding.

Next, there's the issue of the film's protagonist, played by Tusshar Kapoor. The left is up in arms because the character is a cop. Yes, you read that right. Apparently, portraying a police officer as the hero is now problematic. In their world, all cops are villains, and any attempt to show them in a positive light is an affront to their narrative. It's as if they want every film to be a lecture on systemic oppression rather than a source of entertainment.

Then there's the film's plot. A double murder case should be enough to keep audiences on the edge of their seats, but the left is more concerned with the lack of "wokeness" in the storyline. They argue that the film doesn't do enough to highlight the struggles of marginalized communities. It's a murder mystery, not a social commentary. The left's obsession with turning every piece of art into a political statement is exhausting.

Let's not forget the film's director, Dhruv Lather. Instead of applauding his efforts to bring a gripping story to life, the left is more interested in dissecting his personal beliefs. They want to know where he stands on every political issue under the sun, as if that somehow affects the quality of his work. It's a classic case of the left's inability to separate the art from the artist.

And then there's the reaction to the film's release. The left has taken to social media to express their outrage, calling for boycotts and demanding apologies. It's the same tired routine we've seen time and time again. They can't handle anything that doesn't fit their narrow worldview, so they resort to cancel culture tactics to silence dissenting voices.

The irony here is that "Maarrich" is just a movie. It's meant to entertain, to provide a temporary escape from reality. But the left can't help themselves. They have to turn it into a battleground for their ideological crusade. It's as if they can't enjoy anything without finding something to be offended by.

In the end, "Maarrich" is a testament to the left's inability to appreciate art for what it is. They'd rather focus on their political agenda than enjoy a good story. It's a shame, really, because they're missing out on a thrilling ride. But hey, that's their loss. For the rest of us, "Maarrich" is a reminder that sometimes, a movie is just a movie, and that's perfectly okay.