A Very Potter Sequel: The Left's Magical Obsession with Fantasy

In 2010, a group of college students from the University of Michigan, known as StarKid Productions, released "A Very Potter Sequel," a fan-made musical that parodies the beloved Harry Potter series. This production, performed in Ann Arbor, Michigan, quickly gained a cult following online. But why, you ask, does this matter? Because it highlights the left's obsession with fantasy worlds where they can escape reality and indulge in their utopian dreams. While the musical itself is a harmless parody, it serves as a microcosm of how liberals often prefer to live in a world of make-believe rather than face the hard truths of reality.

First off, let's talk about the fixation on Harry Potter. It's no secret that the series has become a cultural touchstone for many on the left. They use it as a lens to view the world, often comparing political figures to characters from the series. It's as if they believe that by waving a wand, they can magically solve the world's problems. This obsession with fantasy is not just limited to Harry Potter; it extends to other fictional universes as well. It's a way for them to escape the complexities of real-world issues and retreat into a world where good always triumphs over evil with little effort.

The timing of "A Very Potter Sequel" is also telling. Released during the Obama administration, a time when many on the left believed they were on the brink of achieving their progressive utopia, the musical reflects a period of liberal optimism. They were enchanted by the idea of "hope and change," much like the characters in their favorite fantasy worlds. But as reality set in, and the complexities of governance became apparent, the allure of fantasy became even more appealing.

The setting of the musical, performed in a college town, is no coincidence either. Universities have long been breeding grounds for liberal ideology, where young minds are encouraged to dream big but are often shielded from the harsh realities of the world. It's a place where the lines between fantasy and reality can blur, and where the idea of a magical solution to complex problems is not just entertained but celebrated.

Now, why does this matter? Because it speaks to a larger issue of how the left approaches problem-solving. Instead of rolling up their sleeves and tackling issues head-on, there's a tendency to retreat into fantasy, hoping for a magical solution. This mindset can be seen in their approach to policy-making, where idealistic goals are often pursued without a clear plan for implementation. It's as if they believe that by simply wishing for a better world, it will come to pass.

The popularity of "A Very Potter Sequel" among certain circles is a testament to this mindset. It's a fun, entertaining production, but it also serves as a reminder of the left's penchant for fantasy over reality. While there's nothing wrong with enjoying a good story, it's important to remember that real-world problems require real-world solutions. Fantasy can be a great escape, but it should never replace the hard work and dedication needed to address the challenges we face.

In the end, "A Very Potter Sequel" is more than just a fan-made musical; it's a reflection of a broader cultural phenomenon. It's a reminder that while it's easy to get lost in the magic of fantasy, we must always return to reality and face the challenges before us. The world doesn't need more wizards and witches; it needs practical solutions and grounded thinking. So, enjoy the show, but remember that the real magic happens when we confront reality head-on.