Some movies are more than just a flick on a screen; they are a mirror reflecting cultural nuggets that are as vibrant as they are insightful. Enter Isoken, a captivating Nigerian romantic drama that everyone seemed to be talking about back in 2017. The buzz around Isoken isn't just about the beautiful cinematography; it's about its timely exploration of identity, culture, and the societal pressures that women face, specifically within the dynamics of African and Nigerian society. Directed by Jadesola Osiberu, and set against the bustling backdrop of Lagos, Nigeria, this film serves as a lens through which we explore themes universally relatable yet uniquely Nigerian.
Isoken is about a woman, Isoken, who appears to have it all: a booming career, stunning looks, and independence that many only dream of. But isn't there always that omnipresent 'but'? The pressure starts bubbling as she hits 34 and her family becomes increasingly 'concerned' that she is still unmarried. The storyline resonates with many young women; it echoes the unspoken question that looms as they age—"Why are you not married yet?" In Isoken's case, the 'concern' becomes the invisibly heavy weight of cultural expectations and the conventional belief that fulfillment equals marriage.
What makes Isoken engaging is its authentic portrayal of internal and external conflicts. Isoken is at the crossroads of choices: should she follow her heart or comply with cultural norms? This emotional tug-of-war is further complicated when she finds herself caught between two men from dramatically different worlds—Osaze, a successful Nigerian with all the expected traditional credentials, and Kevin, a British photographer who challenges her in unexpected ways. Kevin represents a divergence from what's expected, bringing to the forefront the assumption that culture and tradition should be static and requiring no new interpretation.
This movie cleverly navigates the tension of choosing between these two love interests and what they represent, and by doing so, it touches a nerve on the issues of interracial relationships and the underlying racial nuances. Yet, it presents these heavy themes with a sprinkle of humor and romance, softening the narrative in places, making the storyline both relatable and entertaining.
On one side, some argue that movies like Isoken perpetuate stereotypes. They worry that it reinforces the narrative that unmarried women are incomplete. It’s easy to see why some could hold this view—Isoken is under immense pressure to conform to societal expectations about marriage and family. However, the film seems to build on these stereotypes only to deconstruct them, pushing subtly for introspection and encouraging women to seek fulfillment on their terms.
Through its depiction of a woman torn between two worlds, Isoken speaks to the broader discourse of what it means to be torn between different identities. Isoken’s journey through self-discovery and the pursuit of happiness is not just a personal decision; it’s a political statement. It questions what society deems successful or acceptable and challenges viewers—especially Gen Z, who are more progressive in their thinking—to question and redefine these norms for themselves. This generation, known for breaking boundaries and redefining norms, finds a parallel in Isoken’s journey.
On the other hand, supporters laud the film for its progressive thinking and ability to entertain while being thought-provoking. They argue that it provides a narrative that’s necessary while being reflective of many African family setups. It brings to the forefront discussions on societal pressure to marry, especially for women, offering a platform where emotion, expectation, and cultural identity battle and mingle. By illustrating Isoken’s struggle with humor and romance, the movie acts as a catalyst for dialogue—a tool for societal reflection.
It becomes clear that Isoken is more than just a film; it is a cultural commentary that encourages viewers to question stereotypical traditional roles, challenging us to think about the essence of our identities. It reminds us that while cultural roots are important, they should not stifle one's personal quest for happiness and authenticity.
For lovers of African cinema or culture-curious seekers, Isoken offers a refreshing narrative from Nollywood, a thriving part of the global film industry, famous for its vibrant storytelling. Its feminine gaze challenges traditional storytelling, letting emotions and unique perspectives take center stage in a world where standardized narratives have too often held sway.
Consequently, Isoken is not just relatable to a Nigerian audience; its themes reach far beyond geographical or cultural borders. Perhaps it is in its universality, its ability to transcend the specific and speak to the human psyche that makes it both appealing and educational. Isoken's story may be one woman's journey, yet it inadvertently unearths questions of belonging, societal pressure, and emotional fulfillment most have grappled with.
This movie is a gentle reminder: our personal journeys should manifest beyond the boxes society puts us in. In watching Isoken navigate love, culture, and expectations, viewers are drawn to introspect and perhaps feel emboldened to question their paths and where happiness truly resides.