Willem van Bemmel: A Master Painter Strikes a Blow Against Boring Modern Art

Willem van Bemmel: A Master Painter Strikes a Blow Against Boring Modern Art

Willem van Bemmel was the Baroque period's answer to impressive landscape painting, kicking outdated norms in the teeth. His detailed scenes and stories from the late 1600s tell the kind of tales modern art wishes it could.

Vince Vanguard

Vince Vanguard

Willem van Bemmel was an artist who knew how to keep the paintbrush pointed in the right direction. Not a fan of abstract art? Then van Bemmel, who thrived in the Baroque period, is your guy. Born in 1630 in Utrecht, Netherlands, he lived the dream of causing a ruckus by painting his way through Europe. If you've ever marveled at a well-crafted, scenic painting and thought, 'Why can't modern art be more like this?' Willem van Bemmel is calling from the past to say, 'Exactly!' Imagine him gallivanting through France, Italy, and Germany, picking up influences faster than liberals pick up protest signs. He was no armchair artist; he walked the talk—literally, through the European landscape, capturing its scenic beauty.

Van Bemmel didn't just illustrate landscapes; he stitched stories into them. Back then, Baroque wasn't about painting vague feelings or splashing colors like a toddler with a crayon. His work screamed drama, movement, and emotional exuberance. For a painter who kicked off his career before 1660, he sure made his landscapes echo primeval strength. If he had hashtags, they'd be #EpicLandscapes and #NoBoringArt.

One of his defining features was his knack for matching dramatic skies with formidable earth tones—a combo that could make you hear music as you looked. Picture a roiling sky above steadfast cliffs, the perfect backdrop for a good political debate. He even managed to inject a dynamic narrative into still life. Unlike today’s 'modern masterpieces' that look more like refrigerator magnet collections, his paintings were meaty.

What’s fascinating is that van Bemmel is often associated with bringing Italianate style to Northern Europe. You could say he was an artistic bridge-builder long before politicians got in the game of erecting walls instead. His work provided a soft landing for Southern warmth in Northern coolness. The cross-pollination of cultures in his paintings was executed with finesse—none of that messy integration the world struggles with today.

The showpiece of van Bemmel's portfolio is his landscape artistry, which features intricate details infused with a broader vision. His paintings exhibit a profound regard for the grandeur of nature—never overshadowed by the artist's ego. Remember those days when intellectuals praised art for depicting reality rather than smashing it into incomprehensible shapes?

Don't forget his role as a teacher either. Van Bemmel wasn’t satisfied with just leaving his mark on canvas. He sought lasting impact by inscribing his wisdom upon his pupils. While 'thought leaders' of today might push the doctrine of empty value, he shared the secrets of his robust compositions with young artists, essentially telling them to paint their worlds, not their navels.

Willem van Bemmel passed away in 1708 in Nuremberg, Germany, where he left behind a legacy that would shape future generations. Sure, every artist has disciples, but it takes a trailblazer to inspire a lineage of art that withstands the test of time. Perhaps it's time to look back at artists like van Bemmel to find inspiration to pull ourselves out of the artistic quicksand we’ve stumbled into and offer future generations something worth admiring.

His art is a clarion call to abandon our penchant for the lazy indulgence of interpretative creativity that often leaves us asking, 'What exactly am I looking at?' Instead, let's embrace the kind of art that tells us a story, evokes a feeling, and dares to stand resolute against the fickle tides of modern preferences. Art should invite us into a conversation, not stump us into silence.

Willem van Bemmel might not be a household name today, but in a world gasping for authenticity and depth, perhaps reviving his legacy is the antidote we've all been waiting for. Forget the proliferation of empty canvases masquerading as profound. Maybe it's time to take a leaf out of van Bemmel’s book and paint a new narrative—one that celebrates both chaos and order, nature and artist, past and future.