Tokyo Ghoul S: A Feast for the Eyes and a Thorn in the Side of the Left

Tokyo Ghoul S, the sequel to the popular Japanese film Tokyo Ghoul, hit the screens in 2019, and it was nothing short of a cinematic spectacle. Directed by Kazuhiko Hiramaki and Takuya Kawasaki, this film takes place in the bustling metropolis of Tokyo, where humans coexist with flesh-eating ghouls. The story follows Ken Kaneki, a half-ghoul, half-human hybrid, as he navigates the treacherous world of ghouls and humans. But let's be real, the real story here is how this film is a thorn in the side of the left, with its unapologetic portrayal of identity, survival, and the natural order of things.

First off, Tokyo Ghoul S doesn't shy away from the harsh realities of life. In a world where ghouls must eat human flesh to survive, the film forces viewers to confront the uncomfortable truth that not everything can be neatly categorized into good and evil. This is a direct challenge to the liberal fantasy that the world can be a utopia if only we all just get along. The film's gritty realism is a reminder that sometimes, survival means making tough choices, and not everyone can be saved.

The character of Ken Kaneki is a perfect example of this. As a half-ghoul, he embodies the struggle between two worlds, and his journey is one of self-discovery and acceptance. But unlike the left's obsession with identity politics, Kaneki's story isn't about victimhood or oppression. It's about embracing who you are, even if it means going against the grain. This is a refreshing departure from the usual narrative that we see in Hollywood, where characters are often defined by their victim status rather than their actions.

Moreover, Tokyo Ghoul S doesn't pander to the politically correct crowd. The film is unapologetically violent, with intense fight scenes and graphic depictions of ghoul feeding habits. This is not a film for the faint of heart, and it doesn't pretend to be. In a world where everyone is so easily offended, it's refreshing to see a film that doesn't care about stepping on toes. The violence serves a purpose, highlighting the brutal reality of the ghoul world and the lengths they must go to survive.

The film also challenges the notion of moral relativism, a favorite talking point of the left. In Tokyo Ghoul S, there are clear lines between right and wrong, and characters are held accountable for their actions. This is a stark contrast to the liberal idea that morality is subjective and that everyone should be free to do as they please without consequence. The film's message is clear: actions have consequences, and sometimes, those consequences are dire.

Tokyo Ghoul S also touches on themes of power and control, another area where it diverges from liberal ideology. The ghouls in the film are constantly battling for dominance, and the struggle for power is a central theme. This is a far cry from the left's utopian vision of a world where everyone is equal and power dynamics are nonexistent. The film acknowledges that power is a natural part of life, and those who seek it must be prepared to face the consequences.

In the end, Tokyo Ghoul S is a film that challenges the status quo and refuses to conform to the politically correct narrative. It's a bold, unapologetic exploration of identity, survival, and the natural order of things. For those who are tired of the same old Hollywood tropes and liberal pandering, Tokyo Ghoul S is a breath of fresh air. It's a film that doesn't shy away from the harsh realities of life and forces viewers to confront the uncomfortable truths that the left would rather ignore. So, if you're looking for a film that will make you think and challenge your beliefs, Tokyo Ghoul S is a must-watch.