The Sentinel: A Horror Classic That Liberals Would Rather Forget

In 1977, a horror film called "The Sentinel" hit theaters, and it was a cinematic experience that left audiences both terrified and intrigued. Directed by Michael Winner and based on the novel by Jeffrey Konvitz, this film was set in a creepy Brooklyn brownstone that served as the gateway to hell. The story follows a young model, Alison Parker, played by Cristina Raines, who moves into the building only to discover that her neighbors are not what they seem. The film's chilling atmosphere, combined with its controversial themes, made it a standout in the horror genre. But why would some prefer to sweep this film under the rug? Because it challenges the very fabric of what some hold dear, and it does so with unapologetic boldness.

"The Sentinel" is not your run-of-the-mill horror flick. It dives deep into themes of religion, morality, and the supernatural, all while delivering a narrative that keeps viewers on the edge of their seats. The film's portrayal of religious figures and its exploration of the afterlife are enough to make anyone question their beliefs. It doesn't shy away from depicting the darker side of human nature, and it does so with a rawness that is rarely seen in today's sanitized cinema. This is a film that doesn't care about political correctness or offending sensibilities. It tells its story with a brutal honesty that is both refreshing and unsettling.

One of the most striking aspects of "The Sentinel" is its use of practical effects and makeup to create its terrifying imagery. In an era before CGI took over Hollywood, filmmakers had to rely on their creativity and ingenuity to bring their visions to life. The result is a film that feels tangible and real, with effects that still hold up today. The grotesque and haunting visuals are a testament to the skill and dedication of the filmmakers, and they serve to enhance the film's eerie atmosphere. It's a reminder of a time when horror films were made with passion and a desire to truly scare audiences, rather than just relying on jump scares and cheap thrills.

The cast of "The Sentinel" is another reason why this film remains a classic. With performances from Hollywood legends like Ava Gardner, Burgess Meredith, and Eli Wallach, the film boasts a level of talent that is rarely seen in horror movies. These actors bring depth and nuance to their roles, elevating the film beyond its genre trappings. Their performances add a layer of sophistication to the film, making it more than just a simple horror story. It's a film that respects its audience and treats them to a narrative that is both engaging and thought-provoking.

But perhaps the most controversial aspect of "The Sentinel" is its unflinching portrayal of the battle between good and evil. In a world where moral relativism is often celebrated, this film takes a stand and presents a clear dichotomy between right and wrong. It doesn't shy away from showing the consequences of one's actions, and it forces viewers to confront the reality of their choices. This is a film that challenges the notion that everything is subjective and that there are no absolute truths. It's a bold statement that flies in the face of modern sensibilities, and it's one that is sure to ruffle some feathers.

"The Sentinel" is a film that deserves to be remembered and celebrated for its daring approach to storytelling and its willingness to tackle difficult themes. It's a reminder of a time when filmmakers weren't afraid to push boundaries and challenge audiences. In a world where so much of what we see on screen is watered down and sanitized, "The Sentinel" stands as a testament to the power of cinema to provoke thought and stir emotions. It's a film that refuses to be forgotten, and for good reason.