The Savior: A Fairy Tale for the Woke

Once upon a time, in the magical land of Hollywood, a TV show called "Once Upon a Time" emerged in 2011, promising to enchant audiences with its modern twist on classic fairy tales. The show, set in the fictional town of Storybrooke, Maine, follows Emma Swan, the "Savior," as she battles evil queens, curses, and her own family drama. But let's be real, this show is less about fairy tales and more about pushing a woke agenda down our throats.

First off, the show tries to sell us on the idea that traditional fairy tales are outdated and need a progressive makeover. Gone are the days when Prince Charming would save the day. Instead, we have a female lead who is constantly reminded that she doesn't need a man to be powerful. While empowerment is great, the show takes it to the extreme, making every male character either a villain or a bumbling fool. It's as if the writers are saying that masculinity is inherently toxic and needs to be eradicated.

The show also loves to play the diversity card, but only when it suits their narrative. Characters are rewritten to fit modern sensibilities, often at the expense of the original story. Take Mulan, for example. In the show, she's not just a warrior; she's also a lesbian. While representation is important, the show seems more interested in ticking off diversity checkboxes than telling a compelling story. It's as if they're saying, "Look how progressive we are!" without actually doing the work to make these characters feel authentic.

And let's not forget the constant moralizing. Every episode feels like a lecture on the importance of tolerance, acceptance, and love. While these are noble ideals, the show beats you over the head with them until you're left wondering if you're watching a fairy tale or a political manifesto. It's as if the writers are more interested in virtue signaling than in crafting a story that resonates with audiences.

The show also has a knack for rewriting history to fit its narrative. Characters like Captain Hook and the Evil Queen are given sympathetic backstories, turning them into misunderstood anti-heroes rather than the villains they were meant to be. It's as if the show is saying that evil doesn't really exist, just misunderstood people who need a hug. This moral relativism is not only confusing but also undermines the very essence of what makes a fairy tale compelling: the battle between good and evil.

And let's talk about the show's obsession with "true love." In "Once Upon a Time," true love is the ultimate magic, capable of breaking any curse. But the show twists this concept to fit its agenda, suggesting that true love can only exist in non-traditional relationships. While love is love, the show seems to imply that traditional relationships are somehow less valid, which is a slap in the face to anyone who believes in the power of a classic love story.

The show's attempt to be edgy and modern often comes off as pandering. It's as if the writers are so desperate to be relevant that they're willing to sacrifice the integrity of the story. Instead of creating a timeless tale that appeals to all audiences, "Once Upon a Time" feels like a product of its time, destined to be forgotten once the cultural winds shift.

In the end, "Once Upon a Time" is less about fairy tales and more about pushing a progressive agenda. While it may have started with good intentions, the show ultimately falls into the trap of trying to please everyone, resulting in a muddled mess that fails to capture the magic of the stories it seeks to reinvent. So, if you're looking for a fairy tale that stays true to its roots, you might want to look elsewhere.