The Killing Season 3: A Masterclass in Liberal Hypocrisy

The third season of "The Killing" hit the screens in 2013, and it was a whirlwind of drama, mystery, and, of course, the usual liberal hypocrisy that Hollywood loves to serve up. Set in the gloomy, rain-soaked streets of Seattle, the show follows detectives Sarah Linden and Stephen Holder as they unravel the dark and twisted murder of a young girl. But let's not get distracted by the plot; the real story here is how this season is a perfect example of the left's favorite pastime: preaching one thing while doing another.

First off, let's talk about the setting. Seattle, the liberal utopia where everyone is supposedly enlightened and progressive, yet the show paints a picture of a city riddled with crime, corruption, and moral decay. It's almost as if the creators are trying to tell us something about the real-life consequences of leftist policies. The irony is delicious. The city that prides itself on being a beacon of progressivism is depicted as a cesspool of vice and violence. It's a classic case of the left's inability to practice what they preach.

Then there's the character of Sarah Linden, the show's protagonist. She's the epitome of the modern feminist hero: strong, independent, and deeply flawed. But here's the kicker: despite her tough exterior, she's constantly making terrible decisions, both personally and professionally. It's almost as if the writers are trying to show us that the feminist ideal is nothing more than a facade, a mask that hides the chaos beneath. And yet, the left continues to hold her up as a role model. It's a perfect example of their tendency to idolize flawed figures while ignoring their shortcomings.

Let's not forget the show's portrayal of the criminal justice system. "The Killing" presents a world where the police are either incompetent or corrupt, and the legal system is a joke. It's a narrative that the left loves to push, despite the fact that it's their policies that often lead to such dysfunction. The show tries to paint a picture of a broken system, but in reality, it's a reflection of the chaos that ensues when liberal ideals are put into practice. It's a classic case of the left shooting themselves in the foot and then blaming everyone else for their problems.

And what about the show's treatment of social issues? "The Killing" tackles everything from homelessness to drug addiction, but it does so in a way that feels more like virtue signaling than genuine concern. The show is quick to highlight these issues, but it offers no real solutions, just like the left's approach to social problems. It's all about appearances, about looking like you care without actually doing anything to make a difference. It's a hollow gesture, a superficial attempt to appear woke without any real substance.

The third season of "The Killing" is a masterclass in liberal hypocrisy, a show that tries to preach progressive values while inadvertently highlighting their flaws. It's a reminder that the left's ideals often crumble under the weight of reality, that their utopian visions are nothing more than pipe dreams. The show may have been intended as a gritty crime drama, but it ends up being a cautionary tale about the dangers of unchecked liberalism. So, the next time you find yourself watching "The Killing," remember that beneath the surface lies a story about the left's inability to live up to their own standards.