September in the Rain: A Classic That Still Drenches Liberals in Nostalgia

Imagine a world where music was pure, untainted by the auto-tune and synthetic beats that dominate today's charts. That's exactly what "September in the Rain," a timeless album by the George Shearing Quintet, offers. Released in 1961, this masterpiece was recorded in the bustling city of New York, capturing the essence of an era when jazz was king and musicians were true artists. The album is a collection of jazz standards that showcases Shearing's unique style, blending bebop and swing with a touch of classical influence. It's a reminder of a time when music was crafted with skill and passion, not manufactured for mass consumption.

Now, why does this album still matter today? Because it represents a bygone era that many wish we could return to. An era when music was about talent, not technology. When artists like George Shearing were celebrated for their ability to create something beautiful and lasting. "September in the Rain" is a testament to the power of real music, and it stands in stark contrast to the disposable pop hits that flood the airwaves today. It's a reminder that quality will always outshine quantity, no matter how much the music industry tries to convince us otherwise.

The album's title track, "September in the Rain," is a perfect example of Shearing's genius. His arrangement transforms the song into a lush, romantic experience that transports listeners to a smoky jazz club in the heart of New York City. The quintet's performance is flawless, with each musician contributing to the overall magic of the piece. It's a track that demands attention and respect, something that today's music often lacks.

But it's not just the title track that makes this album a classic. Each song on "September in the Rain" is a gem in its own right. From the upbeat swing of "Good to the Last Bop" to the hauntingly beautiful "I Remember You," Shearing and his quintet deliver a masterclass in jazz performance. The album is a journey through different moods and styles, showcasing the versatility and talent of the musicians involved. It's a reminder that music can be both entertaining and intellectually stimulating, a concept that seems lost on many of today's artists.

Of course, some might argue that this album is a relic of the past, irrelevant in today's fast-paced, digital world. But that's precisely why it matters. In a time when music is often reduced to background noise, "September in the Rain" demands to be heard. It challenges listeners to engage with the music, to appreciate the artistry and skill that went into its creation. It's a call to return to a time when music was more than just a product to be consumed, but an art form to be cherished.

And let's not forget the impact that George Shearing had on the world of jazz. As a blind pianist, he overcame incredible odds to become one of the most respected musicians of his time. His unique style and innovative approach to jazz have influenced countless artists, and his legacy continues to inspire new generations of musicians. "September in the Rain" is a testament to his talent and determination, a reminder that true artistry knows no bounds.

So, while some may dismiss "September in the Rain" as a relic of a bygone era, it's clear that this album still holds significant value today. It's a reminder of what music can be when it's created with passion and skill, rather than manufactured for mass appeal. It's a call to return to a time when music was an art form, not just a commodity. And for those who appreciate real music, "September in the Rain" will always be a classic worth revisiting.