Why Art Farmer's 'Modern Art' Beats All Modern Nonsense

Why Art Farmer's 'Modern Art' Beats All Modern Nonsense

Art Farmer’s 'Modern Art', released in 1958, is a jazz masterpiece that redefines brilliance, breaking through today's superficial art trends.

Vince Vanguard

Vince Vanguard

Stop what you're doing and allow yourself a moment to appreciate this absolutely brilliant trumpeter who could redefine every misconception you have about jazz. Art Farmer, yeah, you heard it right! Art Farmer - an icon who is celebrated not just for his astonishing prowess over the trumpet but his extraordinary ability to weave emotions into perfect harmonies. His album "Modern Art", released in 1958, speaks volumes about his genius.

Art Farmer, born in Council Bluffs, Iowa, spent his life breaking barriers in the world of jazz while the so-called "modern artists" of today are busy trying to be 'woke'. When you have Art Farmer’s melodious interpretation of jazz standards mixed with his original work, you can toss the inconsequential fluff of today’s art forms. Recorded in the heart of New York City, Farmer's sophisticatedly simple trumpet sound on "Modern Art" challenges the chaotic clutter of today's flashy charts.

Step back with me to 1958, a time when America was burgeoning with culture, spirit, and power - not burdened by excessive political correctness dominating folks’ creative efforts. Along with legendary musicians like Benny Golson, Bill Evans, Addison Farmer, and Dave Bailey, Farmer's quintet takes you on a whirlwind journey that is nothing short of a mesmerizing auditory experience. Let’s break this down on why 'Modern Art' should be at the top of your playlist.

First up, let’s talk Jazz standards with Art's signature touch. Have you ever thought about how some art doesn't need exaggerated theatrics to be impactful? 'I Love You' by Cole Porter finds fresh life in Farmer’s rendition. The track feels genuine, unforced, and authentic - unlike the glittery facade of many modern interpretations that desperately shout for attention but often lack substance.

Next, Farmer’s originals. Oh yes! The album isn't just an assortment of renditions but features some stellar Farmer compositions like 'Mox Nix'. It's crisp, exuberant, and a meticulous balance of creativity and tradition - something many "modern" pieces lack because they're too busy trying to please everyone.

And here comes the true gem: Benny Golson's 'Whisper Not'. Finger snaps, warm textures, and a beautiful restraint meet in this seductive piece. The interplay between Farmer's trumpet solos and Golson’s tenor sax is second to none. It is a respectful nod to how collaboration can create magic without needing synthetic diversions.

Furthermore, the incredible rendition of 'Goodbye Old Girl' shows us that impactful music can be created without an agenda. It’s real music, straight from the soul, touching nerves and moving hearts. It's emotionally charged without the overwrought, bombastic drama that has seeped into today's art landscape.

Lamentably, listeners today are more bombarded by trends than actual artistic merit. But the album taps into a deep sense of aspiration for the 'lost simplicity' - something this so-called 'progressive' world can learn from. Playing the trumpet for Art Farmer wasn't about ego or political correctness. No virtue signaling. Only skill and heartfelt participation. That authenticity rings true across every note of 'Modern Art'.

The fine balance between complexity and melody defines "Modern Art". It’s the kind of balance posturing artists should aim for instead of running after trends to chase hashtag policies. Jazz, in its purest form as shown by Farmer and his quintet, doesn't just earn your applause but your appreciation for its sheer courage to stay true in its unapologetic presentation.

Art Farmer’s ‘Modern Art’ doesn’t just belong on the shelf of every jazz enthusiast; it deserves to be heard by anyone who appreciates genuine artistry. The album reaffirms what art, in its truest form, should be - free of today's societal constraints, political agendas, and fake virtue. Listening to 'Modern Art' is like sipping on a glass of fine bourbon—no additions, no mixers, just the clean harmony and authentic tones that linger like a beautiful aftertaste.

These days, everything is about spectacle over substance. Yet, Farmer's masterpiece effortlessly brushes aside superficial trends for purity. 'Modern Art' reiterates that music, much like any art form, must inspire, resonate, and most importantly, remain true to its roots while exploring its possibilities.

If Farmer were to stand before today’s generation, his message through 'Modern Art' wouldn’t just be noteworthy, it'd be necessary for reviving the depth and substance that creative arts often lack today. It is a bold reminder for those too caught up in chasing acceptance over brilliance.