Marie Laberge: The Literary Genius Liberals Love to Ignore

Marie Laberge: The Literary Genius Liberals Love to Ignore

Marie Laberge's literary genius is often overlooked due to cultural gatekeeping that prioritizes political correctness over genuine talent.

Vince Vanguard

Vince Vanguard

Marie Laberge: The Literary Genius Liberals Love to Ignore

Marie Laberge, a Canadian novelist, playwright, and actress, has been a force in the literary world since the 1980s, yet her brilliance is often overshadowed by the liberal media's obsession with more politically convenient figures. Born in Quebec City in 1950, Laberge has crafted a career that spans decades, with her works being celebrated for their depth and emotional resonance. Despite her undeniable talent and contribution to Canadian culture, she remains underappreciated in the broader literary discourse, particularly by those who claim to champion diverse voices. Why? Because her works don't fit neatly into the politically correct narratives that dominate today's cultural landscape.

Laberge's novels, such as "Le Goût du Bonheur" trilogy, are masterpieces that explore the complexities of human relationships and the intricacies of personal happiness. Her writing is rich, her characters are multi-dimensional, and her storytelling is nothing short of captivating. Yet, in a world where literary merit is often overshadowed by political agendas, Laberge's works are not given the spotlight they deserve. Instead, the focus is often on authors who tick the right ideological boxes, regardless of their literary prowess.

The irony is palpable. In an era where diversity and representation are buzzwords, Laberge's unique voice and perspective are sidelined. Her works delve into the human condition with a nuance that is rare in contemporary literature. But because she doesn't conform to the liberal orthodoxy, her contributions are often overlooked. It's a classic case of the left eating its own, ignoring a brilliant artist because she doesn't fit their mold.

Laberge's plays, too, are a testament to her genius. Her ability to capture the essence of human emotion and translate it onto the stage is unparalleled. Her plays have been performed across Canada and internationally, yet they don't receive the same level of acclaim as those by playwrights who are more politically aligned with the mainstream narrative. It's a disservice to the arts and to audiences who are deprived of experiencing her exceptional work.

The question is, why does this happen? Why is an artist of Laberge's caliber not celebrated as she should be? The answer lies in the cultural gatekeeping that prioritizes ideology over talent. In a world where virtue signaling often trumps genuine appreciation for art, Laberge's works are pushed to the periphery. It's a sad state of affairs when an artist's political alignment is more important than their artistic contribution.

Laberge's impact on Canadian literature is undeniable. Her works have been translated into multiple languages, reaching audiences far beyond the borders of Quebec. Her ability to weave intricate narratives that resonate with readers is a testament to her skill as a writer. Yet, the lack of recognition from the liberal media is a glaring oversight that speaks volumes about the current state of cultural discourse.

In a just world, Marie Laberge would be celebrated as one of the great literary figures of our time. Her works would be studied in schools, her plays would be performed on stages worldwide, and her novels would be on every bestseller list. But as long as the cultural gatekeepers continue to prioritize political correctness over genuine talent, Laberge's genius will remain in the shadows.

It's time to recognize Marie Laberge for the literary powerhouse she is. Her works deserve to be celebrated, not ignored. Her voice deserves to be heard, not silenced. And her contribution to the arts deserves to be acknowledged, not dismissed. The world of literature would be richer for it, and audiences would be all the better for experiencing the brilliance of Marie Laberge.