Why Margaret Whiting's Rendition of the Jerome Kern Songbook is a Masterpiece Liberals Can't Appreciate

Margaret Whiting's rendition of the Jerome Kern Songbook is a musical masterpiece that was recorded in 1960, and it's a cultural gem that many modern listeners, especially those on the left, might overlook. Whiting, a celebrated American singer, took on the challenge of interpreting the works of Jerome Kern, a legendary composer whose music defined an era. This album was recorded in the United States during a time when music was a reflection of society's values and aspirations. Whiting's powerful voice and emotional depth brought Kern's compositions to life, making it a timeless piece of art that resonates with those who appreciate true musical talent and historical significance.

First off, let's talk about the sheer talent of Margaret Whiting. She wasn't just any singer; she was a powerhouse with a voice that could melt the coldest of hearts. Her ability to convey emotion through song is something that today's auto-tuned pop stars could only dream of. Whiting's interpretation of Kern's music is a testament to her skill and dedication to her craft. She didn't just sing the notes; she lived them, breathed them, and made them her own. This is something that the modern music industry, with its focus on superficiality and instant gratification, often fails to recognize.

Now, let's address the elephant in the room: why this album might not sit well with certain audiences today. The Jerome Kern Songbook is a product of its time, a time when music was about storytelling and evoking genuine emotion. It's not about catchy hooks or flashy production; it's about the artistry and the message. This is something that might be lost on those who are more concerned with political correctness and virtue signaling than with appreciating the raw beauty of music. Whiting's album is a reminder of a time when music was an art form, not just a commodity.

Furthermore, the themes in Kern's music, as interpreted by Whiting, are universal and timeless. They speak to the human experience in a way that transcends political ideologies and cultural trends. Love, loss, hope, and despair are emotions that everyone can relate to, regardless of their political beliefs. Yet, in today's polarized world, some might dismiss this album simply because it doesn't align with their modern sensibilities or because it doesn't fit into their narrow view of what art should be.

Another point worth mentioning is the historical significance of this album. Whiting's work with the Jerome Kern Songbook is a snapshot of a bygone era, a time when America was finding its voice on the global stage. It's a piece of history that deserves to be preserved and celebrated, not ignored or rewritten to fit a contemporary narrative. By appreciating this album, we honor the legacy of both Whiting and Kern, two artists who contributed immensely to the cultural fabric of the nation.

Moreover, Whiting's collaboration with arranger and conductor Russell Garcia on this album is a masterclass in musical synergy. Garcia's arrangements complement Whiting's voice perfectly, creating a rich tapestry of sound that elevates Kern's compositions to new heights. This kind of collaboration is rare in today's music scene, where individualism often trumps teamwork. It's a reminder of what can be achieved when talented individuals come together to create something greater than themselves.

In a world where music is often reduced to background noise, Margaret Whiting's rendition of the Jerome Kern Songbook stands out as a beacon of true artistry. It's an album that demands to be listened to, not just heard. It's a reminder of the power of music to move us, to inspire us, and to connect us to something greater than ourselves. For those who are willing to put aside their preconceived notions and truly listen, this album offers a glimpse into a world where music was more than just entertainment; it was a way of life.