Joss Stone’s LP1: The Album Liberals Want to Ignore

Joss Stone’s LP1: The Album Liberals Want to Ignore

Joss Stone's LP1, released in 2011, is an album that defies the norm with its soulful blend of rock and R&B, recorded in Nashville and co-produced with Dave Stewart.

Vince Vanguard

Vince Vanguard

Let's break it down from the top, folks - Joss Stone's LP1 is the album that music critics might pretend doesn't exist, but here's the kicker: it's pure gold. Released on July 26, 2011, this album was a landmark in British soul singer Joss Stone's career. LP1 not only marked her first project through her independent label, Stone’d Records, but also showcased a foray into new musical territories that traditionalists might clutch their pearls at. Recorded in Nashville, Tennessee, this collection of tracks dives into soul, R&B, and a hint of country flair like no other. Why does this album matter? Because it captures the spirit of audacity and independence—a concept all too familiar with a certain audience who appreciates self-reliance over herd mentality.

Let's talk about collaboration. Working with renowned producer Dave Stewart—of Eurythmics fame, no less—Stone turned LP1 into an electrifying blend of emotionally charged vocals and raw musicality. Stewart, no stranger to controversy himself, brought in elements that seamlessly married with Stone’s visceral style, honoring the richness of each genre she touched. Not to mention, the recording took only six days! While some might argue the quick turnaround stifles creativity, the outcome proves that sometimes less is more.

First and foremost, there's the track "Newborn", a bold opener that practically kicks down the doors of perception. With soaring vocals and inspiring instrumentation, "Newborn" hits the listener with a power anthem that's both fresh and filled with the classic soul Stone is known for. The energy here is nothing short of infectious.

Then we've got "Karma", where Stone’s lyrical prowess is on full display, serving as both a warning and an affirmation. It's got bite, a solid groove, and just enough defiance to make anyone who questions their standing in the world take a good look in the mirror. It’s the kind of song that makes you want to stand your ground, no matter what.

Let's not forget "Don't Start Lying to Me Now"—a track that’s as assertive as it is lyrical. With a hearty dose of blues, Stone channels feelings of betrayal into artistry, something many modern singers wouldn’t dare explore in such a raw manner. It’s refreshing to hear someone call it as they see it.

With "Landlord", Stone flexes her songwriting muscle even further. It’s a soulful exploration of personal relationships and emotional debts, set against a swanky backdrop of blues-centric motifs. She isn't afraid to dig into complex themes, which shows a maturity that is rare in today’s music scene.

Throughout LP1, Stone showcases her dynamic range and ability to tell stories through song, which is probably why it doesn’t get the recognition it deserves amongst the masses. Songs like "Drive All Night" tap into the liberating essence of classic rock; a drive for freedom that echoes across conservative values, emphasizing personal autonomy and strength.

LP1 is an album rooted deeply in emotional authenticity and artistic vulnerability. Sure, critics may have their reservations, but the album doesn't pander to trends or fleeting tastes—it stands apart, fireworks against a monochrome sky. Maybe that’s why the mainstream often sidesteps it.

Perhaps the overarching theme of LP1 is not just musical exploration but governance of one’s destiny. In a world where artists are often boxed into what's 'expected', Joss Stone's leap into diverse soundscapes should be celebrated, not ignored. Why? Because it aligns with the notion of striking out on one’s own. It embodies a resistance to the status quo. It’s an ode to independence.

Ultimately, this album is a testament to artistic courage—a rare commodity in an industry too entangled with catering to the whims of public opinion. Joss Stone took her craft into her own hands, creating LP1 not only as a statement piece but as a chapter of her growth and identity. It’s a remarkable endeavor that challenges the bland, predictable, and overly produced music that saturates today’s radio waves.

To those who can appreciate the nuances of musical rebellion, who don't flinch from the lyrical weight of emotion, and who value the freedom to choose one's path—LP1 is your kind of album. Stone’s work here isn’t just for the ears, it’s for the soul. And that's precisely why it resonates beyond the conventional.

So, critics and fair-weather fans may turn a blind eye to the genius of LP1, but in reality, it stands firm as a beacon of self-made success. It’s a collection of songs that wouldn’t just survive a liberal freak-out—they’d thrive despite it. Joss Stone’s LP1 is a timeless reminder that some paths are best followed independently.