Kentucky Route Zero: A Road to Nowhere for the Woke

Picture this: a video game that takes you on a journey through a surreal, magical realist version of Kentucky, where the narrative is as winding and mysterious as the titular highway itself. "Kentucky Route Zero" is a point-and-click adventure game developed by Cardboard Computer, released in episodic format from 2013 to 2020. Set in a world that blurs the lines between reality and fantasy, it follows a truck driver named Conway as he attempts to make a delivery along the enigmatic Route Zero. But here's the kicker: this game is a darling of the progressive crowd, and it's not hard to see why. It's a perfect example of how the left loves to romanticize the abstract and the obscure, while ignoring the concrete and the practical.

First off, let's talk about the game's narrative style. "Kentucky Route Zero" is all about atmosphere and mood, with a story that's more about the journey than the destination. It's filled with cryptic dialogue, dreamlike sequences, and a plot that meanders like a river with no clear direction. This is exactly the kind of storytelling that appeals to those who prefer feelings over facts, ambiguity over clarity. It's a game that revels in its own vagueness, much like the political rhetoric of the left. They love to talk about "hope" and "change" without ever providing a roadmap for how to get there.

Then there's the game's setting. The developers have crafted a world that is both hauntingly beautiful and eerily desolate, a reflection of the economic decline and cultural decay that has plagued rural America. But instead of addressing the real issues facing these communities, "Kentucky Route Zero" opts for a more abstract approach, using surreal imagery and symbolism to convey its message. It's a classic case of style over substance, where the aesthetics take precedence over any meaningful commentary. This is the kind of artistic pretension that the left loves to champion, where the message is secondary to the medium.

The characters in "Kentucky Route Zero" are another point of contention. They're a motley crew of misfits and outcasts, each with their own quirks and eccentricities. While this might seem like a celebration of diversity, it's really just a collection of stereotypes and clichés. The game tries to portray them as complex and nuanced, but in reality, they're just caricatures of the "forgotten" people that the left claims to care about. It's a shallow attempt at inclusivity, where the characters are defined by their differences rather than their common humanity.

And let's not forget the game's pacing. "Kentucky Route Zero" is a slow burn, with long stretches of silence and inactivity punctuated by brief moments of action. It's a deliberate choice by the developers to create a sense of introspection and contemplation. But in practice, it just feels like a slog. It's the kind of game that demands patience and perseverance, qualities that are often in short supply among those who are more interested in instant gratification than hard work. It's a reflection of the entitlement mentality that permeates the left, where the expectation is that rewards should come without effort.

Finally, there's the game's ending. Without giving too much away, let's just say that it's as ambiguous and open-ended as the rest of the game. It's a conclusion that raises more questions than it answers, leaving players to interpret its meaning for themselves. This is the kind of non-committal storytelling that the left loves to embrace, where the lack of resolution is seen as a virtue rather than a flaw. It's a refusal to take a stand, to make a definitive statement, to offer a solution. It's the kind of wishy-washy thinking that has no place in the real world, where problems need to be solved, not just pondered.

In the end, "Kentucky Route Zero" is a game that perfectly encapsulates the mindset of the progressive left. It's a journey with no destination, a story with no resolution, a message with no substance. It's a road to nowhere, and that's exactly where they want to take us.