If unfiltered speech were an art form, Joy Behar would be its Picasso. Yes, we're talking about "Joy Behar: Say Anything!", the 2009 comedy special filmed in Las Vegas—a contribution to the cacophony of 'wokeness' that seems to dominate screens today. Known for her role on "The View", Behar lets her political colors run wild as she tackles everything from marriage to politics with that special brand of sarcasm liberals love and conservatives tolerate.
Who’s Joy Behar? A comedian who started in stand-up in the 1980s and somehow wormed her way into daytime TV fame. What’s her special about? It’s an hour-long performance where she airs grievances on marriage, religion, and politics. When did she do this? Back in 2009, where she took the stage at the Las Vegas Venetian Room. Why? You might wonder—clearly, her agenda lined up perfectly with a left-leaning media landscape hungry for controversy.
1. Unapologetically Biased
One might argue that comedy is supposed to entertain everyone, but Behar chooses to swing her bat only at conservative ideals, ignoring the equal opportunity that humor should provide. The woman doesn’t shy away from taking potshots at conservative leaders, caricaturing them for laughs, yet sparing aligning factions from her comedic lens.
2. Selective Satire
USA Today called her performance "fearless." They really meant it was selectively brave. The title "Say Anything!" suggests a no-holds-barred approach, but in reality, she says everything that aligns with her politics. It's easy to target those you disagree with; true comedic genius skewers all sides. Did she achieve that? Not quite.
3. Politically Correct, Except When She Isn't
Joy loves to dance on the line of political correctness. She's often praised for it when it suits a liberal agenda. But when it comes to topics that don't lean left? Silence. Her critiques become one-sided jabs rather than thought-provoking observations. Trust her to go after a Republican but avoid dissecting failed policies on her home turf.
4. Marriage Musings
Her views on marriage might amuse the left, but to others, they sound like bitter generalizations disguised as comedy. Her quips about avoiding marriage might resonate with young urbanites but ooze cynicism for those who value traditional commitment.
5. Religion and Irreverence
Behar isn't afraid to tackle religion, often mocking it through stereotypes that seem outdated to anyone who's seriously engaged with faith-based communities. While a pinch of irreverence can be comedic gold, her takes are often lacking the nuanced understanding of tradition that's not just about old rituals.
6. Anti-Conservative Punchlines
Would a conservative enjoy her special? Unlikely, unless they indulge in masochism. Her performance is a parade of liberal assumptions manifested into punchlines. She dismisses conservatives with little effort to understand or even humor the place they come from, treating them as relics of a bygone era.
7. A Stage in Las Vegas, But a Platform for Bias
Las Vegas is neutral ground for performances of all kinds, but Behar transformed it into her personal pulpit. The irony in presenting such a politically charged act in a city known for its tolerance for excess and diversity is telling.
8. Faulty Career Progress
While comedians like George Carlin became more inclusive the longer they performed, Behar narrowed her audiences over time. Her special is evidence that she never aimed at neutrality. Instead, her comedy became a weapon for factional warfare.
9. Say Anything, But Say It With Style
If subtlety were one of Behar’s skills, it would have been a fantastic special. But she chooses the sledgehammer over the scalpel, unwilling to test the waters of mixed audience reception. Say anything? Perhaps, but only if it fits the narrative she cherishes.
10. Irony of the 'Fearless' Label
In the end, being fearless in comedy is akin to charting unknown waters. But if the GPS is set only in one direction, you’re just following a path someone’s already laid for you. Behar offers safety nets rather than brave leaps—political freebies disguised as bravery.
While Joy Behar's efforts in "Say Anything!" might hold appeal for some, it's a chaotic blend of cheerleading for one side under the garb of humor. It's less comedy and more a reflection of a divided ethos, where the right targets are carefully selected to validate the laugh-track of a selective audience.