Why "Fausto" (2018) is a Cinematic Masterpiece Liberals Can't Handle
"Fausto" (2018) is a film that will make you question everything you thought you knew about cinema. Directed by Andrea Bussmann, this Mexican-Canadian film was released in 2018 and is set in the mystical landscapes of Oaxaca, Mexico. It explores the blurred lines between reality and myth, drawing inspiration from the legendary tale of Faust. The film is a visual and auditory experience that challenges conventional storytelling, and it's precisely this avant-garde approach that makes it a masterpiece some just can't handle.
First off, let's talk about the film's audacity to defy traditional narrative structures. "Fausto" doesn't spoon-feed its audience with a linear plot or clear-cut characters. Instead, it weaves a tapestry of stories, folklore, and philosophical musings that demand active engagement. This is not your typical Hollywood blockbuster with explosions and predictable plot twists. It's a film that requires viewers to think, to interpret, and to question. And let's be honest, not everyone is up for that kind of intellectual workout.
The cinematography in "Fausto" is nothing short of breathtaking. Bussmann uses the natural beauty of Oaxaca to create a dreamlike atmosphere that is both haunting and mesmerizing. The film's use of light and shadow, combined with its ethereal soundscape, creates an immersive experience that transports viewers to another world. It's a visual feast that challenges the notion that films must adhere to a certain aesthetic to be considered "good."
Now, let's address the elephant in the room: the film's philosophical depth. "Fausto" delves into themes of power, desire, and the human condition, drawing parallels to the Faustian bargain. It raises questions about the nature of reality and the consequences of our choices. This is not a film that provides easy answers or neat resolutions. It's a film that leaves you pondering long after the credits roll. And for some, that's a bit too much to handle.
The film's dialogue, or lack thereof, is another point of contention. "Fausto" relies heavily on visual storytelling and ambient sound, with minimal dialogue. This choice forces viewers to pay attention to the subtleties of the film, to read between the lines, and to draw their own conclusions. It's a bold move that challenges the conventional wisdom that dialogue is the backbone of storytelling.
"Fausto" is a film that defies categorization. It's part documentary, part fiction, and part philosophical treatise. It's a film that refuses to be pigeonholed into a single genre or style. This refusal to conform is precisely what makes it a masterpiece. It's a film that challenges the status quo and pushes the boundaries of what cinema can be.
In a world where films are often judged by their box office numbers or their adherence to formulaic storytelling, "Fausto" stands out as a beacon of artistic integrity. It's a film that dares to be different, that dares to challenge its audience, and that dares to explore the complexities of the human experience.
So, why can't some people handle "Fausto"? Perhaps it's because the film demands more from its audience than they're willing to give. Perhaps it's because the film challenges their preconceived notions of what a film should be. Or perhaps it's because the film forces them to confront uncomfortable truths about themselves and the world around them.
Whatever the reason, "Fausto" is a film that deserves to be seen, discussed, and appreciated. It's a film that pushes the boundaries of cinema and challenges its audience to think, to question, and to engage. And in a world where mediocrity often reigns supreme, that's something worth celebrating.