The Left's Fantasy Obsession: Bones of Faerie

The Left's Fantasy Obsession: Bones of Faerie

This article critiques the novel 'Bones of Faerie' as a vehicle for promoting liberal ideologies through themes of dystopia, self-discovery, and collectivism.

Vince Vanguard

Vince Vanguard

The Left's Fantasy Obsession: Bones of Faerie

Once upon a time, in a world not so far away, a book called "Bones of Faerie" by Janni Lee Simner emerged from the depths of liberal fantasy land. Published in 2009, this young adult novel is set in a post-apocalyptic world where magic and nature have gone haywire, and humans are left to pick up the pieces. The story unfolds in a small town in the Midwest, where the protagonist, Liza, discovers her own magical abilities and embarks on a journey of self-discovery. But why, you ask, should we care about yet another fantasy novel? Because it’s a prime example of how the left uses fantasy to push their agenda.

First, let's talk about the obsession with dystopian worlds. The left loves to paint a picture of a world gone wrong, where humans have destroyed the environment and are now paying the price. "Bones of Faerie" is no different. The novel is set in a world where magic has ravaged the earth, and nature is fighting back. This is a clear nod to the environmentalist agenda, where humans are always the villains, and nature is the victim. It's a scare tactic designed to make us feel guilty for simply existing.

Next, there's the theme of self-discovery and acceptance. Liza, the protagonist, discovers she has magical abilities and must learn to accept herself for who she is. This is a classic liberal trope, where the focus is on individual identity and self-expression. It's all about embracing who you are, no matter how different or strange. While self-acceptance is important, the left takes it to an extreme, pushing the idea that everyone is special and unique, and that society must bend over backward to accommodate every individual quirk.

The novel also touches on themes of community and cooperation. In the world of "Bones of Faerie," humans must band together to survive in a world where magic and nature are out of control. This is a subtle nod to the left's love of collectivism, where the needs of the many outweigh the needs of the few. It's a call for unity and cooperation, but at what cost? Individual freedoms and personal responsibility are often sacrificed on the altar of the greater good.

Another aspect of the novel is the portrayal of authority figures. In "Bones of Faerie," adults are often depicted as untrustworthy or misguided, while the younger generation is seen as the saviors of the world. This is a common theme in liberal narratives, where the old guard is portrayed as out of touch and the youth are seen as the enlightened ones. It's a way to undermine traditional values and promote a progressive agenda.

The novel also delves into the idea of fear and how it can be used to control people. In the story, fear of magic and the unknown drives people to make irrational decisions and turn against each other. This is a reflection of how the left often uses fear to push their agenda, whether it's fear of climate change, fear of inequality, or fear of the "other." It's a way to manipulate emotions and drive people to action.

Finally, there's the issue of escapism. Fantasy novels like "Bones of Faerie" offer an escape from reality, a chance to immerse oneself in a world of magic and wonder. But this escapism can be dangerous, as it allows people to ignore the real issues facing our world. Instead of addressing real problems, the left would rather lose themselves in a fantasy world where magic can solve everything.

In the end, "Bones of Faerie" is just another example of how the left uses fantasy to push their agenda. It's a world where humans are the villains, individual identity is paramount, and authority figures are not to be trusted. It's a world where fear is used to control, and escapism is the answer to all our problems. So, the next time you pick up a fantasy novel, remember to look beyond the magic and wonder, and see the underlying message being pushed by the left.