Unpacking the Trunk: Rediscovering the Lost Art of Edith Lake Wilkinson

Imagine a treasure chest filled with forgotten masterpieces, hidden away for decades, only to be rediscovered and celebrated anew. This is the captivating story of Edith Lake Wilkinson, an American artist whose vibrant works were packed away in a trunk and left untouched for nearly 40 years. Born in 1868, Edith was an accomplished painter who thrived in the bohemian art colony of Provincetown, Massachusetts, during the early 20th century. Her life took a dramatic turn in 1924 when she was institutionalized, and her art was subsequently stored and forgotten. It wasn't until the 1960s, when her great-niece Jane Anderson discovered the trunk, that Edith's art began to see the light of day again.

Edith's story is a poignant reminder of the challenges faced by women artists in a male-dominated world. Despite her talent and the vibrant community she was part of, societal norms and personal circumstances led to her unjust institutionalization. The art she left behind, characterized by bold colors and expressive forms, offers a glimpse into her creative spirit and the rich cultural tapestry of Provincetown during her time.

The rediscovery of Edith's work has sparked a renewed interest in her life and contributions to American art. Jane Anderson, a filmmaker and playwright, has been instrumental in bringing Edith's story to the public eye. Through documentaries and exhibitions, Edith's art is finally receiving the recognition it deserves, allowing her legacy to inspire new generations of artists and art lovers alike.

Edith Lake Wilkinson's story is not just about art; it's about resilience, rediscovery, and the enduring power of creativity. Her journey from obscurity to recognition highlights the importance of preserving and celebrating the diverse voices that have shaped our cultural heritage. As we continue to unpack the trunk of history, Edith's art serves as a vibrant reminder of the beauty and complexity of the human experience.