Makara, a magazine that thrived in the 1970s, was no ordinary publication. Imagine a period where Indonesia was undergoing intense political and social transformation, and fighting to find its voice amidst this change. Makara emerged from Jakarta, created by a group of young, passionate minds who wanted to challenge the status quo. It was first published in 1975, and its pages were filled with discussions on art, culture, and politics — all viewed through a progressive lens. Makara became a platform for open dialogue, exploring a spectrum of ideas and viewpoints. It played a crucial role in intellectual discourse, not just for the elite, but also for everyday citizens seeking knowledge and understanding.
Makara's creators were students from the University of Indonesia. Inspired by international currents of freedom and expression, they wanted to create a platform where art, culture, and politics could intermingle. These young writers were fervent in their belief that societal change could be catalyzed through honest, open conversation. The magazine was named after the mythological creature, a symbol of indomitable spirit and resistance, which aligns perfectly with the purpose of the publication — to challenge and question.
Amidst an oppressive political environment, where freedom of speech was often stifled, Makara stood resilient. Each issue of the magazine carried articles, essays, and opinion pieces written by various contributors who were dedicated to fostering change. They covered topics ranging from indigenous rights to gender equality, offering a fresh perspective on the ongoing challenges faced by the nation. It was a bold move, especially when censorship was a real threat. Yet, Makara prevailed, using subtlety and wit to push boundaries and address sensitive subjects with remarkable effect.
A particularly striking feature of Makara was its vibrant artwork and dynamic layout, which appealed to a younger audience. It wasn't just about the words on the pages, but also the visual impact — a key element in engaging readers who were visually oriented. In a time before digital media, the physical presence of such a magazine meant a lot. Holding Makara was like holding a piece of revolution, crafted with care and precision.
But Makara wasn't without its critics. Being politically liberal during an era of authoritarianism, the magazine often drew criticism from conservative quarters. Some accused it of promoting Western ideologies that were ‘unsuitable’ for Indonesian values. However, Makara’s supporters saw it differently. They viewed it as a bridge to global ideas, offering a platform where cultural exchanges could occur freely and without prejudice. Many young Indonesians, eager for change, found in Makara a reflection of their own aspirations for a more open society.
Critics have argued that by focusing too much on liberal ideas, Makara sometimes overlooked the more traditional and conservative perspectives of Indonesian society. While they might have a point, it’s essential to see Makara's existence as part of a broader narrative — one where challenging perspectives are necessary for growth. In any dynamic society, it is important for multiple viewpoints to be represented, even if they are in opposition. This diversity of thought enriches public discourse as it pushes everyone toward a more nuanced understanding of complex issues.
The legacy of Makara can still be felt today. The courage it took to publish during such turbulent times paved the way for future generations of writers and activists. Today’s youth in Indonesia continue to fight for progressive causes, a testament to the seeds planted by Makara and its contributors. In a world where media often leans toward sensationalism, Makara's story reminds us of the power of thoughtful, balanced journalism.
Even now, with the rise of online media, the need for diverse and meaningful content remains. Platforms that champion the ideas of freedom, creativity, and dialogue can shape the future. Makara's story serves as a powerful reminder of the revolutionary potential of the pen, or in today’s terms, the keyboard. In an era where anyone can be a content creator, what we choose to say and how we choose to say it can spark movements and inspire change. Just like Makara did all those years ago.